The recent release of Bad News, directed by Anand Tiwari, has generated considerable buzz, primarily due to its star-studded cast featuring Vicky Kaushal, Triptii Dimri, and Ammy Virk. However, despite high expectations, the film has been met with a mixed reception, with many critics pointing out its shortcomings.
Overview of Bad Newz
Bad News is positioned as a spiritual sequel to the 2019 hit Good Newwz, which successfully blended humor with themes of pregnancy and paternity. This latest installment attempts to replicate that success but falls short in execution. The film revolves around Saloni Bagga (Tripatii Dimri), an ambitious chef, and her tumultuous relationships with her husband Akhil Chandha (Vicky Kaushal), and her boss Gurbir Pannu (Ammy Virk). The plot thickens when Saloni finds herself in a unique predicament involving heteropaternal superfecundation, leading to comedic chaos.
Performance Highlights
Vicky Kaushal’s Standout Role
Vicky Kaushal’s performance has been widely praised as the film’s saving grace. Critics note that he brings a vibrant energy to the character of Akhil, effectively portraying the quintessential Punjab husband. His charisma and comedic timing manage to salvage several scenes, even when the material falters. Kaushal’s ability to maintain his character’s integrity amidst a lackluster script has earned him accolades, with some suggesting he carries the film on his shoulders.
Tripti Dimri and Ammy Virk’s Contributions
While Kaushal shines, Tripti Dimri’s portrayal of Saloni has received mixed reviews. Critics argue that her performance lacks the depth and nuance expected from her character, often appearing either overly cheerful or disinterested. Her chemistry with both male leads is noted, but it does not compensate for the film’s narrative weaknesses. Meanwhile, Ammy Virk’s role as Gurbir adds a layer of charm, though his character could have been more fleshed out. Critics appreciate his comedic moments but lament the underdevelopment of his character.
Screenplay and Direction
One of the film’s most significant criticisms lies in its screenplay, which many reviewers describe as shallow and predictable. The humor often misses the mark, with jokes that feel recycled or overly simplistic. The film attempts to teach deeper themes of modern relationships and female empowerment but ultimately fails to deliver a coherent message, often resorting to cliched tropes.
The direction by Anand Tiwari has also come under scrutiny. While he aims to create a light-hearted romantic comedy, the execution lacks finesse. The pacing is uneven, particularly in the second half, where the narrative drags and loses momentum. Critics point out that the film feels rushed, especially in developing the central romance between Saloni Saloni and Akhil, which diminishes the emotional impact.
Cinematic Elements
Visually, Bad News presents a glossy aesthetic, reminiscent of an Instagram filter. The cinematography captures vibrant settings, particularly in the romantic sequences, but fails to compensate for the lack of substance in the storytelling. The film’s soundtrack, featuring catchy numbers, has garnered attention, particularly the chart-topping song “Tauba Tauba,” which adds a layer of appeal but does not enhance the overall narrative.
Conclusion: A Missed Opportunity
In summary, Bad News offers a promising and talented cast but ultimately falls short of expectations. Vicky Kaushal’s performances stand out as a beacon of talent amidst a sea of mediocrity, while the screenplay and direction leave much to be desired. The film’s attempts at humor and social commentary often feel forced, leading to a disjointed viewing experience. For audiences seeking a light-hearted romantic comedy, Bad News might provide some entertainment, but it lacks the depth and wit that characterized its predecessor, Good News.
As the film continues to screen in theaters, it remains to be seen how audiences will react to its blend of comedy and drama. While it may not be the blockbuster hit many anticipated, it serves as a reminder of the importance of a solid script and character development in filmmaking.